And yet there’s something about the coffee festival that’s better than the bigger, more famous Goroka Show later in the year. It’s smaller, and fewer white tourists come. Somehow – despite its commercial underpinnings – there’s a good feel about it.
The singsings and bilas are fantastic. What is captivating are the elements of innovation each time people get dressed up and prepare their dances; it might be a new thing for them, or it could simply be something that I myself haven’t seen before. But it’s those details that keep me fascinated. And it’s also simply a lot of fun, being around people – and knowing a few – who are dressing up in their cultural finery, and feeling proud and beautiful. They show it off and each region is competitive and they’re looking damn fine and … it’s a feeling, too. (Also you ARE in amongst it: you can move amongst the dancers, get any pics you want, people are happy to pose, or not; no one has to stand behind a rope, and there’s no antagonism; it’s pretty good.)
This year too I saw a Tolai whipping dance: a man would hold out his bare arm, or offer his back, and another would, simply, whip it. It sounds barbaric, but there was a fair amount of performance in the offering of body parts, and the emphasis was on the stamina. A friend whispered that they rubbed something on their bodies beforehand to limit the pain; I’m not sure if it was true or not, but I have to confess that I was captivated by the whole thing. And it certainly attracted one of the biggest crowds.
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